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Each year Oscar seems to bring at least one serious bust-up over Academy nominations. And for this year, the Foreign Language Film category shut out four submissions on the grounds that they weren???t in the language of their submitting country. The entry from Italy, Private, was disqualified because the dialogue was mostly in Arabic. (The movie is about Palestinian refugees in the Middle East but was filmed in Italy.)

The Academy eventually allowed Italy to submit another film for consideration. But not with other countries that weren???t so lucky. Greece and Singapore were disqualified because their films were primarily in English. Neither country was allowed to enter an alternate film.
Also Austria???s entry, the Sony (nyse: SNE – news – people ) Pictures Classics release Cache (Hidden), which was shot in French with a combination of French and Austrian money. According to the Academy, Austria submitted a German-dubbed print of the film. This clearly didn???t fool anyone anyway.

Mark Johnson, the current chairman of the foreign language selection committee, said that he tries to be flexible within the Academy???s strict boundaries. ???We realize that this is a multicultural world and that a lot of movies get their financing from multiple countries,??? says Johnson. ???I thought Cache was a brilliant movie. Had France decided to submit it instead of Austria, we certainly would???ve accepted it. We try to be as accommodating as possible, and sometimes we go as far as to bend rules to include a film we think is especially worthy. But in the end, rules are rules. We have to maintain a sense of order, otherwise things would become chaotic.???

Another much-contested Academy rule disqualifies all movies that premiered on television, even films that had a theatrical run following their TV debut. In 1995, The Last Seduction was ruled ineligible because it premiered on HBO. The movie played in theaters following its cable run, and many critics praised lead actress Linda Fiorentino. But the Academy decided not to accept it. This rule also disqualifies many European productions that first aired on television in their native countries and had theatrical-only releases in the U.S.

Watching the Oscar ceremony can be such a bore–an anti-climactic exercise in industry self-congratulation. Knowing a little about the Academy’s obscure rules can make the evening more interesting, revealing the many deserved movies and filmmakers that Oscar has quietly swept under its red carpet.

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Ng article on Forbes.com